Wir freuen uns euch zu drei wunderbaren Konzerten unter der Woche einzuladen. Erich Quach, besser bekannt mit seinem Projekt "thisquietarmy" und Aidan Girt, welcher als Drummer bei "Godspeed You! Black Emperor" sein Unwesen treibt, kommen als SOME BECAME HOLLOW TUBES nach Innsbruck. Support bekommen sie von LINGUA NADA und LUKAS MORITZ WEGSCHEIDER

SOME BECAME HOLLOW TUBES (CAN)
Eric Quach on guitar (thisquietarmy) & Aidan Girt on drums (Godspeed You! Black Emperor) making faces, floorgazing, rippin' rippin' rippin'...
facebook.com/somebecamehollowtubes

"LINGUA NADA (GER)
is a band, that..." And then what? It’s not that easy to describe the hyperactivity and genre-bending sound of the Leipzig based three-piece. The experimental pop trio's live performances are like a wrecking ball, painted in neon camouflage: catchy, painfull, sweet, bitter – and loud! Nothing really fits and that is what fits perfectly. When it comes to compositions, Lingua Nada are navigating through a Bermuda Triangle of oriental pop melodies, noisy garage riffs and impudently catchy melodies.
facebook.com/linguanada

LUKAS MORITZ WEGSCHEIDER (AT)
Lukas Moritz Wegscheider is an electronic music composer, instrument builder and photographer from Innsbruck, Austria. With his tape loop performances he wants to focus on room-atmosphere, collective mood, nostalgia, melancholy and the hauntological phenomenon. The endless repetitions, sharpen the acoustic perception and allow the discovery of new sound events. The image gets distorted and blurred until the focus is placed on the distortion and the blurredness itself. Influences of Minimal Music and Ambient, combined with the atmosphere of the hauntology theory and lo-fi aesthetics.
soundcloud.com/lukas_wegscheider

Wir zeigten den Film „Stabat Mater Dolorosa“ von SIKSA (Danger/discomfort riot grrl'n'bass / Poland) in der @p.m.k.. Ihre Performance vom März 2018 ist uns auch noch in guter Erinnerung. Um 20:00 Uhr - Eintritt frei!

 

A musical about Death and the Maiden

Everyone who has seen SIKSA's performance last year at p.m.k will know, that these amazing humans are not messing around. After their breathtaking performance, we are now showing their latest release "Stabat Mater Dolorosa".

This musical based on SIKSA's "Stabat Mater Dolorosa" is a performative dream of making a movie come true, where both the dream and the movie are like chewing gum that has been tasteless for too long. A nostalgic invitation to a dancing story about a girl returning to her childhood, when she dressed up as different women using her mother's wardrobe, and all the roles she played were to please herself. This film is a tool for reconstructing the scenes from the youth, as well as a baroque farewell to all the glitter and unicorns. Stabat Mater Dolorosa is like a bayonet slashing through modern times. She gives us micro-performances with all her body, and at her own risk. SIKSA's music is the scenario rejected, grinded, spat out, negated and intensified by the characters. Piotr Macha's camera is one of the murder weapons that SIKSA would like to use to fuck up the modern reality. It's a language of art that SIKSA has been using almost unnoticed since 2014. A gun, a girl and death – those are the times we live in.

Trailer: https://www.youtube.com/watch?v=k7unp
Facebook: https://www.facebook.com/xsiksax/
Bandcamp: https://siksa.bandcamp.com

SIKSA
Siksa (Alex Freiheit: voc/lyrics and Piotr Buratyński: bass guitar) is the most divisive Polish artist in recent memory, whose radical and brutally honest performances are smashing the patriarchy one gig at a time. Coming from punk, literary and theatre backgrounds, her shows dissect the Polish consciousness. To quote her own words, she's a girl on a mission.

Siksa is the last representative of the future choreographic punk style revolution. Tender-free rebellion on order. Clickbait controversy. Two-headed artiste, dead-serious with square bass figures. Unqualified NOISE-FITNESS instructor, divides her training in three parts: endurance, strength and combined. The „aerobic freiheit five” developed by her is based on conditions of instability and imbalance and is not adjusted to the individual needs of the participants. The worst publicity for Gniezno since the Baptism of Poland in Magdeburg in 966. For the Czechs she wants to be what Ewa Farna is for the Poles. Former superheroine.

Directed: Piotr Macha + SIKSA
Script: Stabat Mater Dolorosa
Cast: Check yourself
Production: Hardcore DIY